Judith B. Shields

All posts tagged Judith B. Shields

Frankenstein’s Monster Review by Steampunk Library

Published February 17, 2015 by judithbshields

Review of Frankenstein’s Monster posted by Steampunk Library– a website dedicated to strengthen literacy through incorporating steampunk in school library collections.

Steampunk Library

Creator: Mary Shelley (novel) Written/Produced by Judith B. Shields, Directed by Syd Lance

Media Type: Feature Film, 84 minutes

Audience: Family Friendly (but use your best judgment with extra-small children)

Summary: This micro-budget, independent film adaptation from First Step Cinematics, Frankenstein’s Monster tells the story of The Monster, his creator, and the lives ruined in the name of mad science. Following the original frame narrative the film opens with Dr. Victor Frankenstein being saved at sea. He befriends the vessel’s captain and spins his tale of the creation of the murderous Adam, his science project made from the pieces of the dead and subtle steam-powered mechanics. Unlike the novel the story is told through third-person perspective across a single time-line and allows for insight and conversation with non-primary characters. These characters desperately try to help Victor maintain his sanity, but how can a man keep his wits with a monster on the loose and…

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#MyWritingProcess Author Blog-Hop

Published July 28, 2014 by judithbshields



Blog Post #3:

by Judith B. Shields


It’s been my honor to join the #MyWritingProcess blog hop. The previous week’s blog was by ANTHA ANN ADKINS’ BLOG.

What is #MyWritingProcess? It is a blog-hop that is currently being done by Authors across the internet. We’re answering four basic questions then passing it to fellow authors/screenwriters/poets. This is a great way to explore how other writers approach creativity & their wordcraft.


What am I working on?

Currently I’m working on the final edits for a New Adult manuscript called Twice Reborn—a Vampire’s Story.

My previous work, Frankenstein’s Monster a steampunk manuscript based on Shelley’s masterpiece, has been completed as a film.

Why do I write what I do?

I put this question before the next because there is a story behind it. As a cross-genre author and screenwriter, I have an eclectic group of writing interests: Sci-Fi, historical fiction, fantasy, YA. However, my rule is that anything I write must have a moral theme.

What’s unique about this story is that I wrote this during the hardest days of my life—a period when I felt I had nothing. Writing was a tool I used to explore, escape and give me hope. It was a walk of faith with God. Eventually, life surprised me in the most wonderful way. I was able to get out of that slump. Later, I had to put Twice Reborn on hold while I pursued my other life’s dream—filmmaking.

Why a story about vampires? Doesn’t everyone write about vampires? I believe vampires are the new western. As long as markets are still struggling, as long as people are curious about fantasy, there will be those who like the genre. I was challenged by an agent to write a vampire story and I took up the challenge. Afterall, this was during a moment of my life that I was close to giving up all of my dreams. This gave me a new goal and distracted me from my worries. I usually shy from horror (although I can write suspense), but I was okay exploring the vampire theme because of Dracula and the spiritual aspect written within that classic novel. I told myself that if I tackled this project, the story would focus on the spiritual aspect of vampirism.

I have other finished manuscripts on the back burner: a western, a historical Christian fiction, a futuristic cyberpunk piece…but this is the one I wish to release first because of the timing and my desire to grab the attention of a young audience.


How does my work differ from others in its genre?

Unlike many other vampire stories, it’s not all about the blood. Well, there IS blood. Yes there is violence, but biting is not the main point of vampirism in my tale. Twice Reborn asks a simple question: what if vampires lose their soul? A spiritual change happens to the vampire, he reacts to the world around religious items, monks respond to his presence. The question becomes—does a vampire become such a monster that he no longer cares if he loses his soul?

The story’s pace pulls a reader forwards and it has been described as “cinematic” in its storytelling. Do not expect many lines of inner monologue, a romance story, or sweeping multipage descriptions. Actions, characterization and dialogue are the main focus of this book.
How does my writing process work?

I typically write my first draft by hand. I’m starting to shy from that, but much of what I do is written and charted out. I type the second draft from what I’ve written—making sure to elaborate, explore, find a better way to share the story.

During my days off, I join a local writer’s group in the mornings. We sit at a coffee shop and type for 40 minutes before resting/talking for 10. We do this for 3-4 hours, 4 days a week. We do not edit each other’s work. If I can’t meet with them I will write at home. I have a desk in front of a large window with a view of some palms and a rose bush. Pandora’s set to classical music, film/video game scores or even rock. If I’m really missing writing next to my “coffee-writer” friends, I’ll light an espresso scented candle. Sometimes I’ll drive to the sea and watch the sailboats or go to a small meditation chapel to find peace and center myself.

I have two critique groups. The newest one I joined edits each other’s work every month/twice a month. The other group focuses on one writer every week—so it takes about 6-9 weeks for each writer to share his work. Both groups are good and the writers have different backgrounds. One group is full of sci-fi and horror writers; the other group is full of literary writers. It’s surprising how their backgrounds influence what they look for in a work.

Beta readers are important. I’ve been blessed with three beta readers who have strong educational backgrounds in writing. I take their advice with a grain of salt and they give me honest and valuable feedback. Actually, they help me in other ways critique groups cannot because they are able to read everything at once instead of a chapter at a time.

I hire both an editor and proofreader. The proofreader is important when you are self-published. Self-published writers are often criticized if there is a lack of editing in their work. Beta readers and critique groups do close to the same thing as an editor, although an editor may understand markets better.

Finally, I read. A lot. However, I do not read anything that’s fiction when I first write a new plot or a second draft. I do this to have my work uniquely separate and to maintain my writer’s voice.

General Words of Advice:

Go for it! If you want to write—do not give up! Twice Reborn has taken me three years to complete. Some works can take much longer or shorter. If someone doesn’t like your work, that doesn’t mean no one will like it. Put yourself in the hands of your higher power. For me it’s Jesus and for me He helps. But no matter what your faith, do not be alone. Community, friendship, family, volunteerism—these are important parts of life. Embrace those who go forwards with you as you live your life. It makes the world full.

In all things: peace, love, and hope.

Thank you for reading my blog! Please check out my official website at JudithBShields.com

Next week’s #MyWritingProcess will be Gibson Michaels and Dianna Mills.

Gibson Michaels, a retired Technical Instructor, has forsaken the joys of traveling the world and routine household chores to finally surrender to the voices in his head and launch his second career as an author. Arc-Flash Publishing is scheduled to release his debut novel, STORM CLOUDS GATHERING in August, 2014. SCG is the first book in Michael’s SENTIENCE Trilogy.

Donna Maloy is working on fantasy and paranormal fiction for teens, tweens and young adults. She’s also written twenty-five produced plays for children and teens. As her alter ego, Dianna Mills, she is working to ready several suspense-filled adult romances for self-publication. Check out her blog about writing at TangledWords.com.

Land of Nerds, Filmmaking Panel Recap from Space City Con

Published January 13, 2014 by judithbshields

One of my favorite things about the convention circuit is participating in panels. I enjoy speaking about filmmaking, steampunk, literature, and screenwriting. SpaceCityCon’s panel is up there on my list. It was my pleasure to join Matt Risoldi (monster), Christopher Lowe (tech. dir, props), J’Nean Henderson (costumes), and Peter Kovic (co-editor, documentarist) to talk about the challenges of microbudget filmmaking. One of the things I love about our larger panels is that we share our tools and tricks we used for making a film.



Quote from article:

“For the filming, some of the most important aspects to the filmmakers were to ensure that the film maintained an authentic, Victorian period-style. To maintain that look, the filmmakers needed to ensure that the costumes were beautiful and accurate. Costumes can be an expensive, especially period costumes. Luckily, the producer, Judith Shields, found J’Nean Henderson, Victorian Lady.”

To read the rest of the article, please go to their great page:


Frankenstein’s Monster at Weird West Fest

Published December 16, 2013 by judithbshields

Frankenstein’s Monster at Weird West Fest.

I want to give a big thank you to those who braved the cold and got your gears to Giddings! Weird West Fest welcomed Frankenstein’s Monster and we were proud to be there. Mike McDermott (Captain), Travis Wayne Hamilton (Krempe) and Judith B. Shields (me–the screenwriter/filmmaker) were able to meet many folks there. A big shout out for Mike and Travis for making it from Houston. Preacher’s Powderworks and Projectiles who made our amazing steampunk lab goggles is one of the co-founders for the event. 

About Weird West Fest–it is a Western and Steampunk 1 day festival. This was their first year and they made a difficult decision–to postpone the festival by a week. The original date had that icy conditions and made it unsafe to drive in the Texas Hill Country. While the new date was still chilly, at least it was safe for folks to travel.

I also had a wonderful paneling experience. I’ve been on many panels, from ApolloCon (Screenwriting) to Comicpalooza (Microbudget Filmmaking) to WorldCon (Steampunk), but I never had had a panel where we laughed so much. I was honored to both moderate and participate in the Art of Screenwriting panel with (from left to right) @Gary Clark (actor and screenwriter), and Ed Erdelac (screenwriter and author). That panel covered comparisons of book to screenplay writing tips, character vs. action based plots, personal stories with screenwriting, and how to get your work out there. The audience asked good questions as well.

Thank you everyone who made it out to Giddings!

Indie Buzz: Frankenstein’s Monster (2013) review

Published November 21, 2013 by judithbshields

Thank you Indie Buzz (UK) for your great review! 

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Quotes from article:

“This is one of the most faithful adaptations of Shelley’s narrative that I have ever seen…”

For the full article:

Indie Buzz: Frankenstein’s Monster (2013) review.

Judith B. Shields’ Interview with Indie-Loop

Published November 21, 2013 by judithbshields

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Judith B. Shields’ Interview with Indie-Loop

A closer look at microbudget filmmaking.

IL: You are one of the special guest panelists at this year’s Comicpalooza (2013) discussing how to make an independent film on a budget. Great topic since many indie-artists/film makers struggle with the financial aspect in launching their projects. What advice can you give indie-artists dealing with this dilemma?”

To read Shields’ answer, please read the rest of this great interview at


Frankenstein’s Monster – An Indie Steampunk Film–A fantastic interview of Judith B. Shields by Author and Blogger Maeve Alpin as They Ride on an Airship Discussing the Project and Steampunk

Published November 21, 2013 by judithbshields

“Our Steampunk is expressed through the art—for starters we used a lot of STEAM! The monster is Steam-powered. He smokes! It is simple. Steampunk is expressed in the camera angle choices. The finished look of the film has a darkened edge and is slightly desaturated—to remind the audience of an old photograph.  Word choices in the script, Edwardian costumes, unique props built by those in our Texas Steampunk community. This is our Steampunk.”


To read more of this great interview, please go here:

Frankenstein\’s Monster – An Indie Steampunk Film.

via Frankenstein\’s Monster – An Indie Steampunk Film.

Vintage Guide to Texas Looks at Steampunk. Quick Quote from Judith B. Shields

Published November 21, 2013 by judithbshields

“Houston-area based filmmaker Judith B. Shields is working on a movie with a Steampunk theme. She thinks the IBM forecast is a little early, but is banking on the general public catching on. Still, that won’t take away from the core fans.

“People like to create, that’s part of the attraction,” Sheilds says.”

Read more here:


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